{"id":598,"date":"2026-08-10T09:10:07","date_gmt":"2026-08-10T09:10:07","guid":{"rendered":"https:\/\/orleanlaiproject.net\/flows-copy"},"modified":"2026-08-10T09:57:03","modified_gmt":"2026-08-10T09:57:03","slug":"true","status":"publish","type":"post","link":"https:\/\/orleanlaiproject.net\/?p=598","title":{"rendered":"true 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class=\\\"_Page_Title\\\">true \/\\u672c\\u5f53\\u306e\\u3053\\u3068<\/h1><h3 class=\\\"_Subtitle1\\\">\\u85e4\\u672c\\u9686\\u884c Takayuki Fujimoto (\\u8822\\u8ca8 dumb type)<br \/>\\u767d\\u4e95 \\u525b Tsuyoshi Shirai (\\u767a\\u6761\\u535c AbsT)<br \/>\\u5ddd\\u53e3\\u9686\\u592b Takao Kawaguchi (\\u8822\\u8ca8 dumb type)<br \/><br \/><\/h3>\",\"align\":\"top\",\"row\":1,\"col\":0,\"colspan\":2,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":2,\"yvel\":1,\"push\":0,\"relid\":3,\"absolute_position\":false},{\"type\":\"stack\",\"cont\":[{\"type\":\"hr\",\"cont\":\"\",\"align\":\"middle\",\"row\":0,\"col\":0,\"colspan\":2,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":5,\"absolute_position\":false},{\"type\":\"text\",\"cont\":\"<p><strong>\\u808c\\u96fb\\u611f\\u61c9\\u63a5\\u9023\\u611f\\u5b98\\u4ee5\\u5916\\u7684\\u53ef\\u80fd\\u771f\\u5be6<\/strong><br \/><strong>new sensory perception for possible realities<\/strong><br \/><br \/><br \/><\/p><p>\\u6240\\u8b02\\u771f\\u5be6\\uff0c\\u5c31\\u662f\\u7d93\\u7531\\u77b3\\u5b54\\u63a5\\u6536\\u5230\\u8166\\u888b\\u7684\\u90a3\\u500b\\uff1f<br \/>\\u5916\\u5728\\u7684\\u771f\\u5be6\\uff0c\\u771f\\u7684\\u5ba2\\u89c0\\u5b58\\u5728\\uff1f\\u9084\\u662f\\u4e00\\u76f4\\u88ab\\u6211\\u5011\\u6709\\u9650\\u611f\\u5b98\\u6240\\u66f2\\u89e3\\uff1f\\u53c8\\u6216\\u662f\\u88ab\\u793e\\u6703\\u6f5b\\u79fb\\u9ed8\\u5316\\u7684\\u5851\\u9020\\u51fa\\u4f86\\uff1f<\/p><p>\\u63a2\\u7d22\\u8166\\u888b\\u8207\\u611f\\u5b98\\u4ee5\\u5916\\u7684\\u771f\\u5be6\\uff0c10\\u4f4d\\u65e5\\u672c\\u5148\\u7aef\\u85dd\\u8853\\u5bb6\\uff0c\\u5305\\u62ec\\u4f86\\u81ea\\u8822\\u8ca8\\u3001\\u767a\\u6761\\u535c\\u3001rhizomatiks\\u3001Softpad \\u3001DGN\\u53caVPP\\u7684\\u6210\\u54e1\\u8d70\\u5728\\u4e00\\u8d77\\uff0c\\u9032\\u884c\\u4e86\\u4e00\\u6b21\\u8de8\\u8d8a\\u65b0\\u5a92\\u9ad4\\u3001\\u79d1\\u6280\\u3001\\u5287\\u5834\\u8207\\u821e\\u8e48\\u7684\\u5be6\\u9a57\\u3002<\/p><p>\\u900f\\u904e\\u4ecb\\u9762\\u6280\\u8853\\uff0c\\u914d\\u5408\\u808c\\u96fb\\u611f\\u61c9\\u7cfb\\u7d71\\u63a5\\u9023\\u8868\\u6f14\\u8005\\u8eab\\u9ad4\\uff0c\\u6355\\u6349\\u8868\\u6f14\\u8005\\u7684\\u5fae\\u7d30\\u808c\\u8089\\u53cd\\u61c9\\uff0c\\u4ee5\\u6700\\u76f4\\u63a5\\u7684\\u89f8\\u611f\\uff0c\\u5e36\\u52d5\\u8072\\u97f3\\u3001\\u71c8\\u5149\\u3001\\u6a5f\\u68b0\\u53ca\\u6620\\u50cf\\u4f5c\\u51fa\\u5373\\u6642\\u8b8a\\u5316\\u3002\\u300atrue \/\\u672c\\u5f53\\u306e\\u3053\\u3068\\u300b\\u4e00\\u500b\\u8072\\u97f3\\u3001\\u5149\\u5f71\\u3001\\u52d5\\u614b\\u3001\\u6620\\u50cf\\u540c\\u6b65\\u4e00\\u9ad4\\u7684\\u6f14\\u51fa\\uff0c\\u4e00\\u6b21\\u611f\\u5b98\\u65b0\\u9ad4\\u9a57\\u3002<\/p><p><br \/>\\u300c\\u4f5c\\u54c1\\u4e0d\\u4f46\\u5f15\\u767c\\u54f2\\u6027\\u601d\\u8003\\uff0c\\u6f14\\u51fa\\u6700\\u512a\\u79c0\\u4e4b\\u8655\\u66f4\\u5728\\u65bc\\u9ad8\\u79d1\\u6280\\u7684\\u904b\\u7528\\u3002\\u4f5c\\u54c1\\u900f\\u8996\\u4e8b\\u7269\\u56e0\\u8207\\u679c\\u7684\\u6e05\\u6670\\u601d\\u8fa8\\uff0c\\u5168\\u8cf4\\u5c0e\\u6f14\\u8207\\u6f14\\u51fa\\u8005\\u6210\\u529f\\u71df\\u9020\\u7684\\u6c1b\\u570d\\uff0c\\u4e0d\\u6b62\\u65bc\\u5229\\u7528\\u71c8\\u5149\\u3001\\u8072\\u6548\\u53bb\\u914d\\u5408\\u8207\\u821e\\u8005\\uff0c\\u800c\\u662f\\u9023\\u8cab\\u4e00\\u9ad4\\u7684\\u7f8e\\u5b78\\u3002\\u300d - \\u7f8e\\u570b\\u300adanceviewtimes\\u300b\\uff0cTom Phillips (2008)<\/p><p>\\u00a0<\/p><p>Can you believe in what you haven't seen? Or, can you not to believe in what you saw?<br \/>Is Reality about something what you can see, what you know, or what you are brought up to believe?<\/p><p>Exploring the relationship between the brain, our sensory perception and the reality we face, True is an exceptional collaboration among 10 cutting-edge Japanese artists across digital media, technology, theatre and dance. They are members of the groups Dumb Type, AbsT, rhizomatiks, Softpad, DGN and VPP.<\/p><p>Through the interfacing technology and the use of myoelectric sensors attached to the performers' bodies, which provide real-time triggers for sound, mechatronics, lights and video,\\u00a0True\\u00a0creates a completely synchronous, and totally new sensory experience.<\/p><p><br \/>\\\"Whatever the philosophical merits of the piece, its real strength is in the melding of high technology with performance. The cause-and-effect conundrum is clear because the performers and directors have worked together to craft an environment that is not just lights and sounds accompanying dancers, but an aesthetic continuum.\\\"<br \/>\\u2013 Tom Phillips,\\u00a0danceviewtimes, USA (2008)<\/p><p>\\u00a0<\/p><p>\\u00a0<\/p>\",\"align\":\"top\",\"row\":1,\"col\":0,\"colspan\":2,\"offsetx\":0,\"offsety\":0,\"spaceabove\":2,\"spacebelow\":2,\"yvel\":1,\"push\":0,\"relid\":9,\"absolute_position\":false},{\"type\":\"accordion\",\"cont\":\"\",\"align\":\"top\",\"row\":2,\"col\":0,\"colspan\":2,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":8,\"config\":{\"accordionConfig\":{\"showBorders\":true,\"borderColor\":\"#2F2B36\",\"borderWidth\":1,\"showFirstLastBorders\":true,\"showBorderUnderOpenedTitle\":true,\"animationDuration\":0,\"closeOthers\":true,\"collapseOnContentClick\":false,\"iconType\":\"arrows\",\"iconPosition\":\"left\",\"titlePaddingTop\":10,\"titlePaddingRight\":5,\"titlePaddingBottom\":10,\"titlePaddingLeft\":0,\"contentPaddingTop\":20,\"contentPaddingRight\":10,\"contentPaddingBottom\":20,\"contentPaddingLeft\":35,\"iconSpacing\":10,\"iconYOffset\":0,\"iconSize\":30,\"iconStrokeWidth\":1,\"useIconColor\":true,\"iconColor\":\"#2F2B36\",\"maxWidth\":90,\"useBackgroundColor\":false,\"backgroundColor\":\"#ffffff\",\"forceTitleTextFormat\":false,\"titleTextformat\":\"Default\",\"forceTitleTextColor\":false,\"titleTextColor\":\"#000000\",\"forceContentTextFormat\":false,\"contentTextformat\":\"Default\",\"forceContentTextColor\":false,\"contentTextColor\":\"#000000\",\"nightMode\":false,\"rowAmount\":1,\"preOpenFirstRow\":false,\"preOpenAllRows\":false,\"turnOffOpenCloseOnClick\":false},\"cont\":[{\"title\":\"<p>\\u88fd\\u4f5c\\u5718\\u968a Production Team<\/p>\",\"content\":\"<p>\\u5c0e\\u6f14 \/ \\u71c8\\u5149\\u8a2d\\u8a08 Direction\/Lighting Design\\u00a0<br \/>\\u85e4\\u672c\\u9686\\u884c Takayuki Fujimoto\\u00a0 (\\u8822\\u8ca8 dumb type)<\/p><p>\\u7de8\\u821e \/ \\u6f14\\u51fa Choreography\/Dance Performance\\u00a0<br \/>\\u767d\\u4e95 \\u525b Tsuyoshi Shirai\\u00a0 (\\u767a\\u6761\\u535c AbsT )<\/p><p>\\u7de8\\u821e \/ \\u6587\\u672c \/ \\u6f14\\u51fa Choreography\/Text \/Dance Performance\\u00a0<br \/>\\u5ddd\\u53e3\\u9686\\u592b Takao Kawaguchi (\\u8822\\u8ca8 dumb type)<\/p><p>\\u97f3\\u97ff \/ \\u9707\\u52d5\\u7cfb\\u7d71 \/ \\u7a0b\\u5f0f\\u8a2d\\u8a08 Sound\/Oscillation\/Programming\\u00a0<br \/>\\u771f\\u934b\\u5927\\u5ea6 Daito Manabe\\u00a0<\/p><p>\\u97f3\\u97ff \/ \\u6620\\u50cf \/ \\u8996\\u89ba\\u8a2d\\u8a08 Sound\/Video\/Visual Design\\u00a0<br \/>\\u5357 \\u7422\\u4e5f Takuya Minami (Softpad)<\/p><p>\\u6620\\u50cf \/ \\u7a0b\\u5f0f\\u8a2d\\u8a08 \/ \\u7db2\\u9801 Video\/Programming\/Web\\u00a0<br \/>\\u5800\\u4e95\\u54f2\\u53f2 Satoshi Horii\\u00a0 (rhizomatiks)<\/p><p>\\u684c\\u5b50 \/ \\u6a5f\\u68b0\\u8a2d\\u8a08 Table Design\/Mechanics\\u00a0<br \/>\\u9f4a\\u85e4\\u7cbe\\u4e00 Seiichi Saito\\u00a0 (rhizomatiks)<br \/>\\u77f3\\u6a4b \\u7d20 Motoi Ishibashi\\u00a0 (DGN)<\/p><p>\\u808c\\u96fb\\u611f\\u61c9 \/ \\u9707\\u52d5\\u7cfb\\u7d71\\u652f\\u63f4 Myoelectric sensing\/Vibration mechanism support\\u00a0<br \/>\\u7167\\u5ca1\\u6b63\\u6a39 Masaki Teruoka (VPP)<\/p><p>\\u670d\\u88dd\\u8a2d\\u8a08 Costume Design\\u00a0<br \/>\\u5317\\u6751\\u6559\\u5b50 Noriko Kitamura\\u00a0<\/p><p>\\u6280\\u8853\\u652f\\u63f4 Technical support\\u00a0<br \/>YCAM InterLab, Color Kinetics Japan Incorporated, Tama TechLab, rhizomatiks, DGN<\/p>\",\"isOpen\":true}]},\"absolute_position\":false,\"margin\":{\"top\":0,\"topMu\":\"%\",\"bottom\":0,\"bottomMu\":\"%\"}},{\"type\":\"hr\",\"cont\":\"\",\"align\":\"middle\",\"row\":3,\"col\":0,\"colspan\":2,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":26,\"absolute_position\":false},{\"type\":\"text\",\"cont\":\"<p>true is co-produced by Yamaguchi Center for Arts and Media [YCAM]; <br \/>21st Century Museum of Contemporary Art, Kanazawa; Yokohama Red Brick Warehouse ; <br \/>Hi Wood and dumb type Office. <br \/>This piece was commissioned by and created through a residency at YCAM and world premiered at the studio B of YCAM in September 2007.<\/p><p>\\u00a0<\/p><p><span style=\\\"font-size: 14px;\\\">\\u4e3b\\u8fa6 Presented by<\/span><br \/><span style=\\\"font-size: 14px;\\\"><strong>\\u5eb7\\u6a02\\u53ca\\u6587\\u5316\\u4e8b\\u52d9\\u7f72 Leisure and Cultural Services Department\\u00a0<\/strong><\/span><\/p><p><span style=\\\"font-size: 14px;\\\">\\u7b56\\u5283\\u53ca\\u88fd\\u4f5c Curated &amp; Produced by<\/span><br \/><strong><span style=\\\"font-size: 14px;\\\">orleanlaiproject<\/span><\/strong><\/p><p><br \/><br \/><span style=\\\"font-size: 10px;\\\">\\u5982\\u9047\\u7279\\u6b8a\\u60c5\\u6cc1\\uff0c\\u4e3b\\u8fa6\\u6a5f\\u69cb\\u4fdd\\u7559\\u66f4\\u63db\\u7bc0\\u76ee\\u53ca\\u8868\\u6f14\\u8005\\u7684\\u6b0a\\u5229\\u3002<\/span><br \/><span style=\\\"font-size: 10px;\\\">The presenter reserves the right to substitute artists and change the programme should unavoidable circumstances make it necessary.<\/span><\/p><p><br \/><span style=\\\"font-size: 10px;\\\">\\u7bc0\\u76ee\\u5167\\u5bb9\\u4e26\\u4e0d\\u53cd\\u6620\\u9999\\u6e2f\\u7279\\u5225\\u884c\\u653f\\u5340\\u653f\\u5e9c\\u7684\\u610f\\u898b\\u3002<\/span><br \/><span style=\\\"font-size: 10px;\\\">The content of this programme does not reflect the views of the Government of the Hong Kong Special Administrative Region.<\/span><\/p>\",\"align\":\"top\",\"row\":5,\"col\":0,\"colspan\":2,\"offsetx\":0,\"offsety\":0,\"spaceabove\":2,\"spacebelow\":2,\"yvel\":1,\"push\":0,\"relid\":25,\"absolute_position\":false}],\"relid\":4,\"colspan\":2,\"col\":0,\"push\":0,\"row\":2,\"offsetx\":0,\"offsetxMu\":\"px\",\"offsety\":0,\"offsetyMu\":\"px\",\"spaceabove\":0,\"spacebelow\":0,\"spaceleft\":0,\"spaceright\":0,\"align\":\"top\",\"yvel\":1,\"absolute_position\":false,\"stackRowGutter\":0,\"stackRowGutterMu\":\"%\"},{\"type\":\"stack\",\"cont\":[{\"type\":\"text\",\"cont\":\"<p><strong>Hong Kong Tour\\u00a0<\/strong><br \/><strong>18-20.06.2010<\/strong> (Fri-Sun) 8pm<\/p><p>\\u9999\\u6e2f\\u6587\\u5316\\u4e2d\\u5fc3\\u5287\\u5834<br \/>Studio Theatre, Hong Kong Cultural Centre<br \/><br \/><\/p>\",\"align\":\"top\",\"row\":0,\"col\":0,\"colspan\":1,\"offsetx\":0,\"offsety\":0,\"spaceabove\":2,\"spacebelow\":2,\"yvel\":1,\"push\":0,\"relid\":12,\"absolute_position\":false,\"spaceleft\":1,\"spaceleftMu\":\"%\",\"spaceright\":1,\"spacerightMu\":\"%\"},{\"type\":\"text\",\"cont\":\"<p><strong>Macau Tour<br \/>05.06.2010<\/strong> (Sat) 8pm<\/p><p>\\u6fb3\\u9580\\u6587\\u5316\\u4e2d\\u5fc3\\u5c0f\\u5287\\u9662<br \/>Small Auditorium,<br \/>Macau Cultural Centre<br \/><strong><\/strong><\/p><p>\\u00a0<\/p>\",\"align\":\"middle\",\"row\":1,\"col\":0,\"colspan\":1,\"offsetx\":0,\"offsety\":0,\"spaceabove\":2,\"spacebelow\":2,\"yvel\":1,\"push\":0,\"relid\":6,\"absolute_position\":false,\"spaceleft\":1,\"spaceleftMu\":\"%\",\"spaceright\":1,\"spacerightMu\":\"%\"},{\"type\":\"hr\",\"cont\":\"\",\"align\":\"middle\",\"row\":2,\"col\":0,\"colspan\":1,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":17,\"absolute_position\":false},{\"type\":\"text\",\"cont\":\"<p class=\\\"_Default\\\"><span style=\\\"font-size: 14px;\\\">tags:\\u00a0<\/span><\/p><p class=\\\"_Default\\\"><span style=\\\"font-size: 14px;\\\">media art, technology, dance, theatre, interactive, programming, engineering, 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