{"id":670,"date":"2026-08-10T11:04:16","date_gmt":"2026-08-10T11:04:16","guid":{"rendered":"https:\/\/orleanlaiproject.net\/ulbu-copy"},"modified":"2026-08-10T14:25:43","modified_gmt":"2026-08-10T14:25:43","slug":"parallel-audiosphere","status":"publish","type":"post","link":"https:\/\/orleanlaiproject.net\/?p=670","title":{"rendered":"\u5e73\u884c\u97f3\u57df Parallel Audiosphere"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":673,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false},"categories":[1],"tags":[],"class_list":["post-670","post","type-post","status-publish","has-post-thumbnail","hentry","category-orleanlaiprojects"],"acf":[],"grid":"{\"colCount\":3,\"colGutter\":1,\"rowGutters\":[5,2,2,2,5],\"rowGutter\":5,\"frameMargin\":5,\"leftFrameMargin\":10,\"rightFrameMargin\":10,\"topFrameMargin\":10,\"horizontalGrid\":{\"mu\":\"px\",\"show\":false,\"space\":20},\"mus\":{\"bottomFrameMu\":\"%\",\"colGutterMu\":\"%\",\"frameMu\":\"%\",\"rowGutterMu\":\"%\",\"topFrameMu\":\"%\"},\"bottomFrameMargin\":5,\"rowAttrs\":[{\"relid\":13},{\"relid\":16},{\"collapse\":false,\"relid\":1},{\"relid\":20},{\"relid\":22},{\"relid\":7}],\"bgColor\":null,\"bgImage\":null,\"cont\":[{\"absolute_position\":false,\"align\":\"top\",\"carousel\":[{\"type\":\"img\",\"attid\":672,\"cont\":\"\/wp-content\/uploads\/2026\/08\/slider_1-4.jpg\",\"sizes\":{\"full\":\"\/wp-content\/uploads\/2026\/08\/slider_1-4.jpg\",\"_1280\":\"\/wp-content\/uploads\/2026\/08\/slider_1-4-1280x533.jpg\",\"_1024\":\"\/wp-content\/uploads\/2026\/08\/slider_1-4-1024x427.jpg\",\"_768\":\"\/wp-content\/uploads\/2026\/08\/slider_1-4-768x320.jpg\",\"_512\":\"\/wp-content\/uploads\/2026\/08\/slider_1-4-512x213.jpg\",\"_265\":\"\/wp-content\/uploads\/2026\/08\/slider_1-4-265x110.jpg\"},\"w\":1920,\"h\":800,\"ar\":0.4166666666666667,\"alt\":\"\"}],\"carousel_options\":{\"autoplay\":true,\"autoplayDelay\":0,\"autoplaySpeed\":2000,\"captionsUnderSlides\":false,\"darkGradientAtBottom\":false,\"darkGradientAtTop\":false,\"disableClick\":false,\"freeScroll\":false,\"loop\":\"1\",\"mousewheelScroll\":false,\"random\":false,\"showMultipleSlides\":false,\"size\":\"aspectRatioOfFirstElement\",\"slidesWidth\":\"null\",\"spaceBetween\":0,\"transition\":\"sliding\",\"transitionSpeed\":300,\"webglTransition\":\"gradientwipe\"},\"col\":0,\"colspan\":3,\"cont\":\"\",\"frameOverflow\":\"both\",\"offsetx\":0,\"offsety\":0,\"push\":0,\"relid\":14,\"row\":0,\"spaceabove\":0,\"spacebelow\":0,\"type\":\"carousel\",\"yvel\":1},{\"absolute_position\":false,\"align\":\"top\",\"col\":0,\"colspan\":2,\"cont\":\"<h1 class=\\\"_Page_Title\\\">\\u5e73\\u884c\\u97f3\\u57df Parallel Audiosphere<\/h1><h3 class=\\\"_Subtitle1\\\">\\u97f3\\u6a02 \/ \\u8072\\u97f3 \\u5275\\u4f5c\\u7684\\u4e0d\\u540c\\u65b9\\u5411<br \/>on different approaches to music &amp; sound creation<\/h3><h3 class=\\\"_Subtitle1\\\"><span style=\\\"font-size: 16px;\\\">\\u591a\\u5a92\\u9ad4 \\u8b1b\\u5ea7\\u7cfb\\u5217 <\/span><br \/><span style=\\\"font-size: 16px;\\\">Multimedia Lecture Series<\/span><br \/><br \/><br \/><\/h3>\",\"offsetx\":0,\"offsety\":0,\"push\":0,\"relid\":3,\"row\":1,\"spaceabove\":0,\"spacebelow\":2,\"type\":\"text\",\"yvel\":1},{\"absolute_position\":false,\"align\":\"top\",\"col\":0,\"colspan\":2,\"cont\":[{\"absolute_position\":false,\"align\":\"middle\",\"col\":0,\"colspan\":2,\"cont\":\"\",\"offsetx\":0,\"offsety\":0,\"push\":0,\"relid\":5,\"row\":0,\"spaceabove\":0,\"spacebelow\":0,\"type\":\"hr\",\"yvel\":1},{\"absolute_position\":false,\"align\":\"top\",\"col\":0,\"colspan\":2,\"cont\":\"<p>Different approaches for different kinds of sound<br \/>From their own spheres of creation,<br \/>to sound, music and art that influence them<br \/>Guiding you to a new horizon of listening experience and perspective<\/p><p>\\u4e3b\\u6301 Host: <br \/>\\u8881\\u667a\\u8070Yuen Chi-chung<\/p><p>++++++++++++++++++++++++++++<\/p><p><br \/>Sphere 1<br \/>\\u8072\\u5f71\\u5171\\u540c\\u9ad4 \\u2013 \\u5be6\\u9a57\\u8072\\u8207\\u756b\\u4e4b\\u9593<br \/>In Sync\\u00a0\\u2013 Exploration on audio visual collaboration<br \/><br \/>S.T. (\\u8521\\u4e16\\u8c6a Choi Sa-ho )<br \/>25.07 (Sat)\\u00a0<\/p><p>When every music performance using video projection as their backdrop nowadays, what possibilities between audio and visual could be further explored? To trace back from the beginning of the audio-visual collaboration, MV and the first concert applying slide-projection, to the popularity of VJing, and the multi-media audio-visual live performance, the lecture will discuss about the evolvement of audio and visual in integration and collaboration. S.T. will talk about how he got inspired and introduces his beloved audio-visual works.<\/p><p><br \/>++++++++++<\/p><p>Sphere 2<br \/>Sonic Alchemy\\u00a0-<br \/>\\u8072\\u4e4b\\u932c\\u91d1\\u8853 \\u2013 \\u91cb\\u653e\\u5e73\\u51e1\\u7269\\u4ef6\\u7684\\u4e0d\\u51e1\\u8072\\u97f3<br \/>Releasing unusual sounds from usual objects<br \/><br \/>Sin:Ned (\\u9ec3\\u4ef2\\u8f1d Wong Chung-fai)<br \/>26.07 (Sun)\\u00a0<\/p><p>It brings no surprise in hearing sounds from a cell phone, a Gameboy or a radio. However, can you imagine the sound comes from a remote control or an Apple mouse? By hacking on various electronic gears, Sin:Ned revealed new sounds for his music composition. Through re-purposing various daily objects, he will further discuss about the experiments of other artists in using conventional musical instruments and equipment for alternative music performance.<\/p><p>\\u00a0<\/p><p>++++++++++<\/p><p>Sphere 3<br \/>\\u4e0d\\u53ea\\u97f3\\u6a02\\uff0c\\u975e\\u4f46\\u5287\\u5834 \\u2013 \\u627e\\u5c0b\\u97f3\\u6a02\\u8207\\u5287\\u5834\\u7684\\u4e0d\\u540c\\u63a5\\u5408\\u9ede<br \/>More than Music, Not Just Theatre\\u00a0\\u2013<br \/>Finding new possibilities in connection between music and theatre<br \/><br \/>\\u9f94\\u5fd7\\u6210 Kung Chi-shing\\u00a0<br \/>01.08 (Sat)\\u00a0<\/p><p>Apart from classical operas and Broadway musicals, music has been integrated with theatre in various formats for decades. In the last 30 years, music theatre has emerged as one of the major genres in avant-garde performing arts, with its capacity to integrate music with diverse elements such as dance, poetry and text, video and installation, etc.\\u00a0 By introducing major music theatre works of pioneering artists such as Robert Wilson and Laurie Anderson, Kung will analyze the development of avant-garde music theatre, with his own practice and approach in bridging between different kinds of music with theatre performances.<\/p><p>\\u00a0<\/p><p>++++++++++<\/p><p>Sphere 4<br \/>Sonic Fascination\\u00a0-<br \/>\\u73a9\\u8072\\u5de5\\u7a0b \\u2013 \\u4ee5\\u6709\\u9650\\u97f3\\u97ff\\u6280\\u8853\\u5be6\\u9a57\\u7121\\u9650\\u8072\\u6548\\u53ef\\u80fd<br \/>Expanding the canvas for music composition<br \/><br \/>\\u8881\\u5353\\u83ef Yuen Cheuk-wa\\u00a0<br \/>02.08 (Sun)\\u00a0<\/p><p>Music and recording technology has driven a lot of changes in pop and contemporary music. Unconventional approaches or inventive ways of using the technicality of sound technology have achieved some sonic excitement that influences the history of music evolution.<\/p><p>\\u00a0<\/p><p>++++++++++<\/p><p>Sphere 5<br \/>Ways of Listening\\u00a0-<br \/>\\u4e0d\\u4e00\\u6a23\\u8046\\u807d \\u2013 \\u5f9e\\u7530\\u91ce\\u9304\\u97f3\\u63a2\\u7d22\\u74b0\\u5883\\u4ee5\\u81f3\\u4e0d\\u540c\\u8072\\u57df\\u7d93\\u9a57<br \/>Environmental\\u00a0sound and our relation to the sonic world<br \/><br \/>Cedric Maridet<br \/>09.08 (Sun) (In English)<\/p><p>From city to nature, we are in a world of no silence. There is always sound that left unnoticed. Field recording can be a means to change our way of listening to the environmental sound, our experience and perception to the world, and even brings exciting discovery to our most familiar surrounding. Cedric Maridet will introduce his practice of field recording as a way to direct his listening and further discuss about how\\u00a0sonic experience can open up the possibility for art making. He will refer to audio examples from different genres of sound art, oral traditions, etc, as well as his own works.<\/p><p>\\u00a0<\/p>\",\"offsetx\":0,\"offsety\":0,\"push\":0,\"relid\":9,\"row\":1,\"spaceabove\":2,\"spacebelow\":2,\"type\":\"text\",\"yvel\":1},{\"absolute_position\":false,\"align\":\"middle\",\"col\":0,\"colspan\":2,\"cont\":\"\",\"offsetx\":0,\"offsety\":0,\"push\":0,\"relid\":26,\"row\":2,\"spaceabove\":0,\"spacebelow\":0,\"type\":\"hr\",\"yvel\":1},{\"absolute_position\":false,\"align\":\"top\",\"col\":0,\"colspan\":2,\"cont\":\"<p><span style=\\\"font-size: 14px;\\\">\\u4e3b\\u8fa6 Presented by<\/span><br \/><span style=\\\"font-size: 14px;\\\"><strong>\\u5eb7\\u6a02\\u53ca\\u6587\\u5316\\u4e8b\\u52d9\\u7f72 Leisure and Cultural Services Department\\u00a0<\/strong><\/span><\/p><p><span style=\\\"font-size: 14px;\\\">\\u7b56\\u5283\\u53ca\\u88fd\\u4f5c Curated &amp; Produced by<\/span><br \/><strong><span style=\\\"font-size: 14px;\\\">orleanlaiproject<\/span><\/strong><\/p><p><br \/><br \/><span style=\\\"font-size: 10px;\\\">\\u5982\\u9047\\u7279\\u6b8a\\u60c5\\u6cc1\\uff0c\\u4e3b\\u8fa6\\u6a5f\\u69cb\\u4fdd\\u7559\\u66f4\\u63db\\u7bc0\\u76ee\\u53ca\\u8868\\u6f14\\u8005\\u7684\\u6b0a\\u5229\\u3002<\/span><br \/><span style=\\\"font-size: 10px;\\\">The presenter reserves the right to substitute artists and change the programme should unavoidable circumstances make it necessary.<\/span><\/p><p><br \/><span style=\\\"font-size: 10px;\\\">\\u7bc0\\u76ee\\u5167\\u5bb9\\u4e26\\u4e0d\\u53cd\\u6620\\u9999\\u6e2f\\u7279\\u5225\\u884c\\u653f\\u5340\\u653f\\u5e9c\\u7684\\u610f\\u898b\\u3002<\/span><br \/><span style=\\\"font-size: 10px;\\\">The content of this programme does not reflect the views of the Government of the Hong Kong Special Administrative Region.<\/span><\/p>\",\"offsetx\":0,\"offsety\":0,\"push\":0,\"relid\":25,\"row\":5,\"spaceabove\":2,\"spacebelow\":2,\"type\":\"text\",\"yvel\":1}],\"offsetx\":0,\"offsetxMu\":\"px\",\"offsety\":0,\"offsetyMu\":\"px\",\"push\":0,\"relid\":4,\"row\":2,\"spaceabove\":0,\"spacebelow\":0,\"spaceleft\":0,\"spaceright\":0,\"stackRowGutter\":0,\"stackRowGutterMu\":\"%\",\"type\":\"stack\",\"yvel\":1},{\"absolute_position\":false,\"align\":\"top\",\"bgColor\":{\"bgColor\":\"#EFEBE3\",\"bgOpacity\":100,\"enableBgColor\":true},\"classes\":\"sidebar\",\"col\":2,\"colspan\":1,\"cont\":[{\"absolute_position\":false,\"align\":\"top\",\"col\":0,\"colspan\":1,\"cont\":\"<p>5-26.7.2009 | Sat-Sun | 3:30pm<\/p><p>Exhibition Gallery,<br \/>Hong Kong Cultural Centre<\/p><p>\\u00a0<\/p><p>1, 2 &amp; 9.8.2009 | Sat-Sun| 3:30pm<\/p><p>Gallery, HKICC<br \/>Lee Shau Kee School of Creativity<\/p><p>\\u00a0<\/p><p>\\u00a0<\/p>\",\"offsetx\":0,\"offsety\":0,\"push\":0,\"relid\":12,\"row\":0,\"spaceabove\":2,\"spacebelow\":2,\"spaceleft\":1,\"spaceleftMu\":\"%\",\"spaceright\":1,\"spacerightMu\":\"%\",\"type\":\"text\",\"yvel\":1},{\"absolute_position\":false,\"align\":\"middle\",\"col\":0,\"colspan\":1,\"cont\":\"\",\"offsetx\":0,\"offsety\":0,\"push\":0,\"relid\":17,\"row\":1,\"spaceabove\":0,\"spacebelow\":0,\"type\":\"hr\",\"yvel\":1},{\"absolute_position\":false,\"align\":\"top\",\"col\":0,\"colspan\":1,\"cont\":\"<p class=\\\"_Default\\\"><span style=\\\"font-size: 14px;\\\">tags:\\u00a0<\/span><\/p><p class=\\\"_Default\\\">sound art, digital music, custom-made instrument, circuit bending, field recording, music theatre, sound 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