strategies for presenting sound/music
blending media
composition / media art / new musical interface / sound installation / music direction for concert
Leung Kei-cheuk, aka GayBird. Born and educated in Hong Kong, and he was graduated from the Hong Kong Academy for Performing Arts with a master degree (music composition and electro-acoustic music) and Hong Kong City University with Master of Philosophy (creative media). Since 1996, he has started working in the Hong Kong music industry as music director, composer and producer for over a hundred of music productions, concerts and theatres. His works have been nominated or awarded in Asian Composer League music Competition, CASH Golden Sail Music Award, Hong Kong Film Award, Taiwan Golden House Film Award and TVB Music Award, etc.
GayBird is a core member of PMPS Music, a cutting-edge production unit in blending alternative cultures with contemporary music, and dedicated in expanding vocabularies in the mainstream music industry. In his own music development, he has also formed an electronic group – Multiplex and published the debut album, Snow in June as early as in 1995, with music across neoclassical to electronic. He later returned to focus on his personal music exploration, and delved into the sonic terrain of analogue synthesizers that opened up to him, and resulted with the album Made by Gaybird published in 2002.
In recent years, he not only continues exploring in the realm of music creation, he started to investigate on potentials and formats of electronic music performance, on ways in making it more performative and lively, in order to enhance music experience to audience. This simple aim has motivated GayBird to study in new media art. He has received the Hong Kong City University Research Tuition Scholarship, and obtained Master of Philosophy at the City University of Hong Kong in 2011, specializing his research and creation in human control interface design, new media art and the interactivity of live music performance with application of media technology.
He created Digital Hug in 2011 and CouCou on Mars in 2013 and successfully brought up a new media music experiment. Both productions were awarded in Hong Kong Design Award 2011 Bronze Award for new media experiment/performance, best Electronic Music Artist at the Chinese Music Media Awards 2012 and 2014 and Ten Outstanding Designers 2014. Both works were toured in festivals all around the world.
The latest new visual music performance One Zero moved forward to explore the boundaries between theatre, exhibition and live performance. It blended theatre space, media installation, surrounds sound system, video and live music as a whole. Video visual was created by award winning film director Tsai Ming-Liang. The work was commissioned by Hong Kong New Vision Festival 2016.
Apart from new media instrument making, music composition and performance, GayBird also creates sound installation. In 2015, he collaborated with a few Hong Kong artists, and successfully brought up a large scale exhibition - Touch Wood. The exhibition was held at K11 art space for 2 months. His other sound installations also exhibiting in different art festivals, such as EXIT Festival 2013 (Paris), Technology Art Festival 2015 (Taipei), Detour 2015 (HK) and Digital Art Festival 2016 (Athens), etc.
With his broad experience across different spheres, GayBird’s works beyond music just for listening, but a cohesive creation combining visuals, mechanism, programming, craftsmanship and installation art, that offers a comprehensive music experience.
出生於香港,獲香港城市大學創意媒體學院哲學碩士(創意媒體) 及 香港演藝學音樂碩士 (作曲及電子音樂) 。 一直以來以音樂總監、作曲、編曲及監製身分參與過百個不同種類的音樂會、劇場作品及唱片製等。他的作品曾於亞洲作曲家聯盟青年作曲家大賽、金帆獎、香港電影金像獎、台灣金馬獎及多個流行音樂獎中獲提名或獎項。
基爵為「人山人海」的主要成員,作為結合另類文化與當代音樂的尖峰,不斷嘗試加入實驗性的音樂元素,以拓闊流行音樂的詞彙。個人創作方面,曾成立電子音樂組合Multiplex,早年已推出首張專集《六月雪》(Snow In June) ,實驗新古典與電子音樂的混合與撞擊。其後作個人發展,創作個人專集《Made by Gaybird》,集中探索類比合成器的極限與電子音域更遼闊的風景。
近年,基爵除了繼續開拓自己的音樂領域外,更不斷探索有關電子音樂演出形式上的不同可能,希望加強電子音樂演出的現場性及表演性,由此開展了他在新媒體藝術上的研究。他獲香港城市大學獎學金,2011年於香港城市大學創意媒體學院取得哲學碩士,其間研究有關介面控制設計、新媒體藝術,與現場互動音樂的種種可能。
創作新媒體音樂演出《電紫兔/克》2011及《火星日常》2013。憑這兩個作品分別獲香港設計師協會「環球設計大奬2011」銅獎、華語音樂傳媒大獎2012及2014「最佳電子藝人」及香港傳藝節「十大傑出設計師作2012」等等。 作品於世界不同藝術節巡迴演出。
近期媒體裝置音樂作品《一零》,進一步將劇場、展覽和現場表演混合,運用劇場空間、媒體裝置、環迴音響、影像和現場音樂作為元素,並由威尼斯金獅奬最佳導演及台灣金馬奬最佳導演蔡明亮負責所有影像設計。節目由香港新視野藝術節2016 委約及首演。
除現場演出外、裝置藝術也是近年積極參與的範疇,2015年聯同不同藝術家,一同創作大型裝置展覽「觸目」,於 K11 art space作為期兩個多月的展出;其他聲音裝置作品「當雲在旁」、「忐忑」、「你想的宇宙」等,分別於法國Exit 藝術節2013、台北科技藝術展2015、雅典Digital Art Festival 2016及香港的Detour 2015等展出。
基爵集結多年跨界別的創作經驗,他的音樂擺脫傳統音樂框架,亦跨越單純作為聽覺藝術,結合視覺、機電互動程式、工藝般的樂器製作及裝置藝術於一體,成為一個更完全的音樂經驗。