這是一場以契約為骨幹的現場演繹。透過對建制語言的挪用，試圖剖析溝通、信任，以及藝術家、作品與觀眾間隱形的權力關係。當詞語被反覆咀嚼，原有的指涉功能隨之剝落，意義在碎裂中重組；文本在詩性冥想與法規邏輯之間擺盪，既是辯證，亦是對協議這一概念的評論。
作品由「條款」與「間奏」交織而成，袒露其內在的瑕疵、怪誕與誤讀的潛能。這種近乎偏執的語句堆疊，在概念上與達達主義的語言實驗產生互文共鳴。
An Agreement is a live work structured as a legal contract read aloud. By appropriating the formal language of institutional agreements, the work explores the complexities of communication, trust, and the relationship between artist, work, and audience. Repetition strips words of their specificity until meaning fractures; the script oscillates between poetic reflection and legal jargon, creating commentary on the nature of agreements, both personal and formal.
The work interrogates questions of responsibility and identity. Personal anecdote interrupts legal clause; poetic fragmentation interrupts bureaucratic certainty. The "parties" multiply. The roles blur. The person responsible remains uncertain.
Structured in articles and interludes, An Agreement exposes its own flaws, oddities, and potential for misinterpretation. Its obsessive utterances bear an affinity to the iconoclastic literary experiments of the Dada movement.
許思樂 Serene Hui
許思樂 Serene Hui
許思樂是穿梭於荷蘭與香港的藝術家，其實踐以研究為核心，涵蓋裝置、聲音、版畫及文本。許氏透過地理距離觀照個人經驗，探究「意義生成」及其門檻背後的社會政治影響。她藉由「錯位」的本體轉換，將社會慣例與語言歧義轉化為對當代系統的抵抗與批判。近期項目《虎頭釘尾》源於祖父的口述歷史，深入探討冷戰時期殖民權力矩陣陰影下，東南亞的人口遷移與物質流動。
許氏的作品曾於亞洲、歐洲及北美地展出並獲機構收藏。自 2023 年起，她的藝術實踐獲荷蘭蒙德里安基金會（Mondriaan Fonds）持續資助。
Serene Hui is an artist based in the Netherlands and Hong Kong. Her practice is research-focused and multi-faceted, engaging primarily with installation, sound, printmaking and text. Serene's work is involved in a discursive, artistic and political exploration of her own context, using the geographical distance from personal lived experiences to investigate the wider socio-political impact of how meaning is made and who has access to making it.
Serene’s works have been included in group exhibitions and are collected in Asia, Europe, and North America. Her artistic practice has been awarded with the Artist Grant by Mondriaan Fonds, The Netherlands since 2023.
hirsk
香港土生土長的製作人、現場電子音樂人。畢業於美國伯克利音樂學院，主修電子音樂製作及聲音設計。曾於慕尼黑 Frameworks Festival、上海超級草莓音樂節、新加坡 Baybeats Festival 等國際音樂節演出。2021年，憑首張個人專輯《noista/gia 噪噪噪噪切》（派樂黛唱片）獲第32屆金曲獎「演奏類最佳專輯製作人獎」。兩年後，受邀擔任第34屆金曲獎評審團成員。
近年積極跨足劇場與跨媒介創作，擔任音樂總監及聲音設計，包括林俊浩執導的《Living Up / 噏to Death》系列（原創音樂及現場聲音設計）、《自由空間樂團：再現黃色魔力樂團》，以及電子踢躂舞蹈劇場《The Next Movement》。
Hong Kong electronic producer and live performer hirsk, Berklee College of Music graduate, major in Electronic Music Production & Sound Design. Performed at Frameworks Festival (Munich), Strawberry Music Festival (Shanghai), Baybeats Festival (Singapore). Won Best Album Producer (Instrumental) at the 32nd Golden Melody Awards for debut album noista/gia. Later served on the 34th Golden Melody jury.
Recent theater credits as music director/sound designer include Living Up / 噏 to Death, Freespace Ensemble: Yellow Magic Orchestra Reimagined, and electronic tap dance theatre The Next Movement.
創作/製作團隊 Creative/Production Team
概念及演出 Concept & Performance
許思樂 Serene Hui
聲音創作及演出 Sound & Performance
hirsk
表演/聲音指導及額外錄音 Performance/Voice Coach & Additional Recording
Gold Mountain
監製 Producer
黎蘊賢 Orlean Lai
計劃統籌 (行政)Project Coordinator (Admin)
蕭朗宜 Lorin Siu
燈光及執行舞台監督 Lighting Designer and Deputy Stage Manager
賴詠珊 Bie Lai
舞台監督 Stage Manager
吳紫靈 Kami Ng
舞台技師 Stage Crew
姚光順 Keith Yiu
化妝師 Make-up Artist
蔣嘉華 Clara Chiang
《異域同場》資助 :
Parlance of Two was supported by
香港藝術發展局支持藝術表達自由，本計劃內容並不反映本局意見。
The Hong Kong Arts Development Council supports freedom of artistic expression. The views and opinions expressed in this project do not represent the stand of the Council.
承蒙荷蘭視覺藝術與文化遺產公共基金 Mondriaan Fund 的部分支持，計劃得以實現。
Partly made possible by Mondriaan Fund, the public fund for visual art and cultural heritage (NL)
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